بێمانایی و قەیرانی گوناهی ڕەسەن: شیكردنەوەی شانۆنامەی "بۆ دۆزەخ، ئەی بێگوناهان"ی بەختیار عەلی لە ڕوانگەی ئەخلاقى بوونگەراییەوە

Absurdity and the Crisis of Original Sin: An Analysis of Bakhtiyar Ali’s Play "To Hell, O Innocents" from the Perspective of Existentialist Ethics

Authors

  • Dilman qadir بەشی زمانی كوردی- كۆلێجی پەروەردە- زانكۆی گەرمیان

:

https://doi.org/10.56422/jka.2.67.1033

Keywords:

Original Sin, Individual Responsibility, Absurdity of Existence, Authenticity, Drama/ Play.

Abstract

This article analyzes the play 'To Hell, O Innocent Ones' and explores the concept of 'original sin' as both an individual and social responsibility. The work highlights the absurdity of existence and the characters' struggle within a censored environment to find meaning and authenticity. The study examines the tension between individual freedom and social norms, suggesting that human authenticity arises from acknowledging responsibility and the inherent guilt of existence. Ultimately, the play presents a complex moral picture that invites the reader to reflect on the nature of sin and the individual's quest for authenticity in a fragmented world.

Published

2026-06-02

How to Cite

qadir د. (2026). بێمانایی و قەیرانی گوناهی ڕەسەن: شیكردنەوەی شانۆنامەی "بۆ دۆزەخ، ئەی بێگوناهان"ی بەختیار عەلی لە ڕوانگەی ئەخلاقى بوونگەراییەوە: Absurdity and the Crisis of Original Sin: An Analysis of Bakhtiyar Ali’s Play "To Hell, O Innocents" from the Perspective of Existentialist Ethics. Journal of the Kurdish Academy, 2(67), 33–51. https://doi.org/10.56422/jka.2.67.1033