ڕەنگدانەوەی کچ و دەلالەتەکانی لە حەیرانەکانی »ڕەسول بێزار گەردی)دا

Authors

  • علی نجم الدین زانکۆی سەلاحەددین- کۆلیژی پەروەردە/ شەقڵاوە
  • esmail hamamin كۆلێژی پەروەردە/ شەقلاوە- بەشی كوردی- زانكۆی سەلاحەددین

:

https://doi.org/10.56422/jka.4.64.825

Keywords:

Kurdish folklore, Hayranat, female representation, oral narrative, folk literature

Abstract

The language of the hairans, the language of the villagers and nomads, has no civilized appearance. That is, no civilized artist who has sung maqams and quriyats can deviate from the purpose and expression of civilization because they are influenced by civilized literature. Girls are a strong social character and have a prominent position among the hairans. Girls participate in all sexual activities with men. It is evident from the hairans that the daughter of the hairan played a proper role in fulfilling the promise she made to the son of the hairan.

 The nature and location of hairan has a specific geographical shape and only Kurds have this type of art. The region of Karaj and Kandenawa is the place of origin of hairan art.

 The background of some of the writings on hairan is a gateway to some artistic aspects of hairan texts, but the purpose and issue of message in the texts is not taken into account

Published

2025-12-16

How to Cite

نجم الدین ع., & hamamin ئ. (2025). ڕەنگدانەوەی کچ و دەلالەتەکانی لە حەیرانەکانی »ڕەسول بێزار گەردی)دا. Journal of the Kurdish Academy, (64), 85–101. https://doi.org/10.56422/jka.4.64.825